First published in 1936, The Jacobean Drama is a brilliant interpretation of the drama written between the last years of Elizabeth I and the first years of Charles I. Professor Una Mary Ellis-Fermor's book traces the evolution of thought and mood from the end of Marlowe's career, through the works of Ben Jonson, Marston, Chapman, Middleton, Tourneur, Webster, Greville, Beaumont and Fletcher, and Ford. The author then discusses a culminating phase in the plays of Shakespeare and the modifications of his successors. She finally looks into the Jacobean stage and in her Appendix considers the 'theatre war'.

First published in 1964, this arresting and original work is a study of the relations between content and form in drama; the conflict between and ultimate reconciliation of certain kinds of material that life presents to the poet and the demands inherent in dramatic form and technique. There are chapters on Shakespeare's historical plays, on Troilus and Cressida, on Milton's Samson Agonistes and on general dramatic problems.

First published in 1939, The Irish Dramatic Movement is a critical study of the dramatic work of W. B. Yeats, Lady Gregory, Synge, their contemporaries and some of their successors. Professor Ellis-Fermor relates each to the movement as a whole, discussing the nature of poetic drama in the hands of Yeats and Synge, while attempting to describe the remarkable contribution made by Irish drama to the literature of the early twentieth century. In her appendices, the author includes a chronological table of the main events in the first years of the movement, a list of plays produced in London in the last decade of the nineteenth century and a subject index to some of the main critical opinions of W. B. Yeats and Lady Gregory.

First published in 1930, in Tamburlaine the Great - in Two Parts, Professor Ellis-Fermor discusses early editions of the work and considers how far the spelling and punctuation of the 1590 octavo should be retained in modern editions. The author discusses the date that the play was written and its authorship and sources. She then goes on to look at the stage history of Tamburlaine before presenting the play itself in two parts. Professor Ellis-Fermor retains the spelling of the majority of proper names. She also keeps the old stage directions where they occur, as these are, she says, picturesque and succinct, and there appears no reason to discard them in favour of the more modern forms used by subsequent editors. In her appendices, she includes extracts from other accounts of Tamburlaine and looks at later editions of the work.

First published in 1927, this book aims to trace the development of Christopher Marlowe's mind and art as these are revealed in the surviving parts of his work, while portraying the personality thus perceived. Professor Ellis-Fermor begins by looking at Marlowe's life and early works, before making a more detailed study of Tamburlaine, Faustus, The Plays of Policy, and finaly Hero and Leander. She then goes on, in the appendix of this work, to consider contention and true tragedy before concluding with a study of Marlowe in the eyes of his contemporaries. The author has followed the text of the Oxford Edition of Marlowe's works (1910), except in a few quotations, where she has preferred the reading of another early edition.

Travel writer Jill Curtis is drawn into a deadly blend of rivalry, resentment and romance gone wrong when she stumbles into a bourbon war between two Kentucky families in this first in an intoxicating new cozy mystery series. Travel writer Jill Curtis loves her job, but she desperately needs a break if she's to achieve her dream of becoming an investigative reporter. Sent to Kentucky by her boss to find out why thousands of tourists flock to Bourbon Country every year, Jill's dream seems to be slipping further away. After all, nothing interesting ever happens in small town America . . . does it? Staying at an estranged relative's B&B, Jill's plan to uncover what makes the state's bourbon tours so popular goes awry when she trips over a body at one of the distilleries and quickly becomes a suspect in a brutal murder. Can she navigate high-stakes bourbon rivalries, centuries-old family feuds and ill-fated romance to catch a killer and finally land the promotion she craves?

First published in 1936, The Jacobean Drama is a brilliant interpretation of the drama written between the last years of Elizabeth I and the first years of Charles I. Professor Una Mary Ellis-Fermor's book traces the evolution of thought and mood from the end of Marlowe's career, through the works of Ben Jonson, Marston, Chapman, Middleton, Tourneur, Webster, Greville, Beaumont and Fletcher, and Ford. The author then discusses a culminating phase in the plays of Shakespeare and the modifications of his successors. She finally looks into the Jacobean stage and in her Appendix considers the 'theatre war'.

First published in 1964, this arresting and original work is a study of the relations between content and form in drama; the conflict between and ultimate reconciliation of certain kinds of material that life presents to the poet and the demands inherent in dramatic form and technique. There are chapters on Shakespeare's historical plays, on Troilus and Cressida, on Milton's Samson Agonistes and on general dramatic problems.

First published in 1939, The Irish Dramatic Movement is a critical study of the dramatic work of W. B. Yeats, Lady Gregory, Synge, their contemporaries and some of their successors. Professor Ellis-Fermor relates each to the movement as a whole, discussing the nature of poetic drama in the hands of Yeats and Synge, while attempting to describe the remarkable contribution made by Irish drama to the literature of the early twentieth century. In her appendices, the author includes a chronological table of the main events in the first years of the movement, a list of plays produced in London in the last decade of the nineteenth century and a subject index to some of the main critical opinions of W. B. Yeats and Lady Gregory.

First published in 1930, in Tamburlaine the Great - in Two Parts, Professor Ellis-Fermor discusses early editions of the work and considers how far the spelling and punctuation of the 1590 octavo should be retained in modern editions. The author discusses the date that the play was written and its authorship and sources. She then goes on to look at the stage history of Tamburlaine before presenting the play itself in two parts. Professor Ellis-Fermor retains the spelling of the majority of proper names. She also keeps the old stage directions where they occur, as these are, she says, picturesque and succinct, and there appears no reason to discard them in favour of the more modern forms used by subsequent editors. In her appendices, she includes extracts from other accounts of Tamburlaine and looks at later editions of the work.

First published in 1927, this book aims to trace the development of Christopher Marlowe's mind and art as these are revealed in the surviving parts of his work, while portraying the personality thus perceived. Professor Ellis-Fermor begins by looking at Marlowe's life and early works, before making a more detailed study of Tamburlaine, Faustus, The Plays of Policy, and finaly Hero and Leander. She then goes on, in the appendix of this work, to consider contention and true tragedy before concluding with a study of Marlowe in the eyes of his contemporaries. The author has followed the text of the Oxford Edition of Marlowe's works (1910), except in a few quotations, where she has preferred the reading of another early edition.

In these poems, women raise their voices and subvert the age-old tales told on their behalf: Roman goddess Salacia explores her tumultuous relationship with Neptune; Gwen Ellis, the first woman hanged for witchcraft in Wales, reflects on her impending fate; a Queen bee is usurped by her daughter and depression visits in the emaciated form of an old and forgotten friend.

A new historical approach to Indian English literature Mary Ellis Gibson shows that poetry, not fiction, was the dominant literary genre of Indian writing in English until 1860 and that poetry written in colonial situations can tell us as much or even more about figuration, multilingual literacies, and histories of nationalism than novels can. Gibson re-creates the historical webs of affiliation and resistance that were experienced by writers in colonial India—writers of British, Indian, and mixed ethnicities. Advancing new theoretical and historical paradigms for reading colonial literatures, Indian Angles makes accessible many writers heretofore neglected or virtually unknown. Gibson recovers texts by British women, by nonelite British men, and by persons who would, in the nineteenth century, have been called Eurasian. Her work traces the mutually constitutive history of English-language poets from Sir William Jones to Toru Dutt and Rabindranath Tagore. Drawing on contemporary postcolonial theory, her work also provides new ways of thinking about British internal colonialism as its results were exported to South Asia. In lucid and accessible prose, Gibson presents a new theoretical approach to colonial and postcolonial literatures.

From the author of The Arctic Fox and Lily Dragon, a moving and exciting new novel set in Africa about a child with a special relationship with elephants. Roaring Good Reads: For Confident Readers 7 - 10 Shola was five when she was found by scientists in the Bakuli National Park in Africa. Exhausted and half-starved, she had been kept safe by a family of elephants who had treated her as one of their young. Shola goes to live with the scientists and their son, Leo, who is thrilled to have an older sister. But when Leo's parents are killed in a plane crash, Leo is sent back to live in England. Returning to Africa some years later, Leo is shocked to find that Shola hasn't spoken since the tragic accident and that a growing number of the elephants are being killed for ivory. He and Shola set off to find 'their' elephants, despite the danger of the poachers, and along with their favourite elephant Shola also finds her voice. This is Shola's story, told by Leo , about the idyllic life they lead in Africa surrounded by wildlife - elephants in particular - an idyllic life that is cut short by danger and death . It's a novel of adventure and family ties crossing two cultures - African and European - and two kingdoms, human and animal. A third novel from Mary Ellis, that is both lyrical and exciting; thrilling and moving.

Pearl and Bone explores the complexities of the first year in the life of a pandemic mother, with the stories of other mothers interwoven amongst the author's intimate moments, from pregnancy to childbirth and beyond. These poems showcase the lost voices of women through history - in the throes of labour, Mary paces the stable; in a dim Soho studio, Christine Keeler poses for the infamous Lewis Morley photographs; while above us, the moon laments the number of feet that have stormed her surface. Beautiful, emotional and richly imagistic, Mari Ellis Dunning presents mothers in many forms: those experienced, chosen, unwitting, and presumed, asking us to consider the true nuances of motherhood - delicate as pearl, durable as bone.

Pour yourself a strong shot of rivalry, romance, and murder. Travel writer Jill Curtis is in Louisville, Kentucky, on the next stop of her bourbon tour assignment, and is looking forward to exploring the distilleries on the state's tour circuit with her videographer, Michael Erickson - especially since her new beau, Detective Nick Atkins, lives in the city. But the night before Jill's first tour at Parker's Distillery, she is shocked to learn that the master distiller, William Scott, has died suddenly of a heart attack - and even more shocked when she discovers William's daughter, Alexis, suspects foul play. Is there more to William's death than meets the eye? Jill is soon drawn into a deadly blend of rivalry, jealously, and cold-blooded murder as she attempts to uncover the truth behind William's unexpected demise.

Private investigator Kate Weller knows her co-workers are in serious trouble when she is unable to reach them in the third enthralling Marked for Retribution mystery. Kate Weller's boss, Nate Price, has some exciting news: Julian Frazier, a friend of one of the agency's wealthy clients, has invited the Nate Price Investigations team and their partners on a trip of a lifetime to his home on Elysian Island, an exclusive retreat off the Georgian coast. But there's a catch. Frazier has written his own murder mystery script, and the PIs must work out whodunnit. As they're about to discover, though, the murder Frazier wants them to solve is a real cold case, and there's a killer twist that isn't in the script . . . Unable to reach Elysian Island and her co-workers, Kate is sure that someone wants her to stay away. Can she stop a ruthless killer and uncover the truth behind a deadly game?

When a wealthy socialite is found dead on her luxury yacht, her daughter Lainey hires Kate Weller to investigate. Agnes Westin created plenty of enemies during her climb to the top of society, many with a taste for revenge - but did any of them feel strongly enough to kill her? But Kate has another reason altogether for returning to Pensacola, Florida, the only town she has ever called home. Her brother Liam has spent the past sixteen years in jail for his part in a robbery homicide - and unless Kate uncovers the truth of what really happened that day, she will never be safe. Now someone wants to make sure her repressed memories stay buried. Can Kate clear her brother's name before the real killer silences them both forever?